Azibuyele Emasisweni: Pitika Ntuli’s Return to the Source at Ditsong Museum

Reclaiming the Ancient in Contemporary Form

Open until the end of June

Prof. Pitika Ntuli’s award-winning solo exhibition, curated by Ruzy Rusike, is currently on view at the Ditsong National Museum of Cultural History, Pretoria, presented by the South African Gallery of Legends in partnership with Ditsong Museums.

 

Comprising 45 bone sculptures created from elephant, rhino, giraffe and horse bones, the exhibition draws on African spiritual knowledge systems to address questions of healing, memory and reconnection with nature. This is the first opportunity for Gauteng audiences to experience the exhibition in physical form, following its national tour from the National Arts Festival to Oliewenhuis Art Museum and Durban Art Gallery.

 

Azibuyele Emasisweni remains on view until June 2026.

The Melrose Gallery's new exhibition, Junkyard Dogs, brings together two towering figures of South African art — Pitika Ntuli and Dr Willie Bester — in a show that refuses politeness and insists on truth. Co-curated by Ashraf Jamal and Tumi Moloi, the exhibition runs from 29 August to 31 October 2025 in Johannesburg.

 

Both artists are scavengers and seers. They work with what industry has discarded — scrap metal, granite, bone, stone, forgotten objects — and reassemble it into sculpture that commands the room. Their practice is rooted in a culture of resistance, yet neither is an ideologue. The politics of the work is implicit, carried in the concentrated energy of each piece rather than declared as slogan.

 

The "junkyard dogs" of the title are fierce, loyal, unbreakable guardians — an apt description of two artists forged by the long fight for freedom. Ntuli, born in Springs in 1940 and raised in Witbank, was exiled, imprisoned and released only in 1978 after international pressure. He went on to study at Pratt Institute and Brunel University, lectured at Central St Martin's and Wits, and was named a Living Legend by the City of Johannesburg. His skeletal forms in metal, wood, stone and monumental granite speak of loneliness, loss and the pillaging of a continent — yet carry a persistent wit.

 

Bester, working from Kuilsrivier in the Western Cape, is widely regarded as one of the country's most important resistance artists. He scours scrap yards for the raw material of his paintings, assemblages and steel sculptures. The shoes of missing children, the symbols of apartheid, the textures of informal settlements all surface in his work to bear witness to what society would rather forget.

 

Together in Junkyard Dogs, installation meets sculpture meets soundscape. It is, as the curators suggest, animistic rather than political, Dionysian rather than Apollonian — a love-song to decay and a reckoning with past, present and possible future. Rust, as the saying goes, never sleeps.

 

 

https://themelrosegallery.com/viewing-room/49-junkyard-dogs-with-pitika-ntuli-and-willie-bester/